” I’m sixteen. It’s time I experienced life; did things. I’m a young woman in full control of her physical being.” Justin’s rating: I just want to run my hands through those spikes. Just once. Then, I will have lived. Justin’s review: Quite often when I’m perusing my massive “to review” list or flipping through […]
2025 Critics’ Choice Award Winners
In the 1970s, the midnight movie scene primarily catered to bored stoners who wanted to watch exploitative, low-budget films with a lot of sex and carnage while staying up late in a weakened state of mind. Since I was one of them in the past, I should know. However, this scene at the time would […]
Conclave wins Best Film at 2025 BAFTAs. Full List of winners here:
I can’t accurately rank what my favourite movie is – I have a couple that move up and down on that list with my mood and current interests – but I know that the first Gladiator movie has never fallen out of the top four. It’s such a carefull made film that, even with a […]
By Marc S. Sanders Colson Whitehead’s Pulitzer Prize winning novel, Nickel Boys, is now an Oscar nominated film for Best Picture and Best Screenplay. It is based on a true story that needed the exposure of a film. However, a better adaptation than what director RaMell Moss did with it should have been completed. The […]
The title of this film comes to mind as concerning in that it implies a parent senses wrongful or disconcerting matters. Thestoryline vibes with housewives’ scenarios going awry discreetly. Mothers’ Instinct tackles the subject matter on an eerie path. It follows the personalities of two friends who are neighbors. In the wake of a devastating event, a series of detrimental consequences are unleashed. Directed by Benoit Delhomme, Mothers’ Instinct is written with an underlying layer […]
Follows Korean independence activists who launched a daring attack in Harbin against the Japanese to gain their country’s independence. […]
“It’s going to get weirder and weirder and weirder, and finally it’s going to get so weird that people are going to have to talk about how weird it is.” -Terrence McKenna
“Pham sinks his teeth in his debut feature with a politic but formulaic blueprint, his own distinct originality has yet to materialize. So whether he could be hailed as a new auteur to be reckoned with, the jury is temporarily out until his next offering, which has its own shell to break.”
I’m cold, but rowing with this icy current. Embracing The “Wu wei” principle of Taoism.
It’s impossible to find absolute perfection. I don’t care if it’s in the field of medicine, law, mathematics, art or even music. No one is THE ONE. Yet, if you are determined to partake in that hunt, it’s likely you’ll scream with frustration. You might think you’re on to something but still it’s not quite […]
Almodovar’s first English-language feature doesn’t quite strike gold, but Tilda Swinton and Julianne Moore give riveting performances as two friends who haven’t seen each other for a long time, exploring themes of mortality and morality.
Rankin’s sophomore feature feels like Kaurismaki meets Kiarostami as his surreal, and at times perplexing tale brings us through a hybrid Canadian-Iranian space marked by quaint shophouses and bustling highways.
A brilliant idea to set a ‘warring gangs’ action film in the iconic if long-demolished Kowloon Walled City, but this comic book adaptation feels numbingly empty with its stylistic excesses a tonal mismatch with the more sobering space of marginality and exploitation.
Natural prehistory comes to life in a series of special effects ‘attractions’ as Zeman’s charming adventure sees four boys enter a cave that transports them back to millions of years ago.
1969 is summoned in a pat and predictable yet sincere, excellently acted, frequently moving 1988 drama about two families caught up in and forever changed by events in that wild final year of an extraordinary decade. Ernest Thompson had scored a big win some years earlier writing On Golden Pond; this time out he directed […]
THE HAPPY ENDING, one of those misery-doesn’t-really love-company dramas that usually revolve around married women approaching or arrived at middle age. Written, produced & directed by Richard Brooks in 1969, it gave his wife, actress Jean Simmons, 40, a strong finish to the decade. After the 1960 glories of Elmer Gantry (Brooks directing) and Spartacus, apart […]
Halina Reijn challenges simplistic morality and puritanical standards about human interaction through this delightfully risqué erotic drama.