The Silence (1963)

I was not prepared for the extent to which Ingmar Bergman’s oeuvre would embrace the uncanny. He may not be a David Lynch, but where Lynch’s nightmares are often emphatically surreal, Bergman’s use of the dreamlike is more subtle, more psychological, and probably more Freudian – though not in the overly literal way that pop-Freudians […]

The Compleat Ingmar #20: The Silence (1963)

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