Richard Linklater’s upcoming film, releasing on October 24, 2025, promises an engaging exploration of conversation and character. Set in a bar in 1943, Ethan Hawke portrays Lorenz Hart, reflecting on his struggles while celebrating with Richard Rodgers. With strong performances and thoughtful dialogue, this film offers a unique cinematic experience worth anticipating.
Continue reading “”
This story’s eventual happy ending is shown in the first couple of minutes when we see contemporary footage of someone kicking the Italian dictator’s corpse in the head. It is a useful reminder that only change is constant. This new Italian series is currently available on Now TV, that’s the subscription service that you can […]
Continue reading “Mussolini: Son of the Century”
In the 1970s, the midnight movie scene primarily catered to bored stoners who wanted to watch exploitative, low-budget films with a lot of sex and carnage while staying up late in a weakened state of mind. Since I was one of them in the past, I should know. However, this scene at the time would […]
Continue reading “”
The title of this film comes to mind as concerning in that it implies a parent senses wrongful or disconcerting matters. Thestoryline vibes with housewives’ scenarios going awry discreetly. Mothers’ Instinct tackles the subject matter on an eerie path. It follows the personalities of two friends who are neighbors. In the wake of a devastating event, a series of detrimental consequences are unleashed. Directed by Benoit Delhomme, Mothers’ Instinct is written with an underlying layer […]
Continue reading “”
“It’s going to get weirder and weirder and weirder, and finally it’s going to get so weird that people are going to have to talk about how weird it is.” -Terrence McKenna
Continue reading “Liar Liar”
“Pham sinks his teeth in his debut feature with a politic but formulaic blueprint, his own distinct originality has yet to materialize. So whether he could be hailed as a new auteur to be reckoned with, the jury is temporarily out until his next offering, which has its own shell to break.”
Continue reading “”
I’m cold, but rowing with this icy current. Embracing The “Wu wei” principle of Taoism.
Continue reading “Engage Intellect (Let Go)”
Almodovar’s first English-language feature doesn’t quite strike gold, but Tilda Swinton and Julianne Moore give riveting performances as two friends who haven’t seen each other for a long time, exploring themes of mortality and morality.
Continue reading “The Room Next Door”
Rankin’s sophomore feature feels like Kaurismaki meets Kiarostami as his surreal, and at times perplexing tale brings us through a hybrid Canadian-Iranian space marked by quaint shophouses and bustling highways.
Continue reading “Universal Language”
Natural prehistory comes to life in a series of special effects ‘attractions’ as Zeman’s charming adventure sees four boys enter a cave that transports them back to millions of years ago.
Continue reading “Journey to the Beginning of Time”
1969 is summoned in a pat and predictable yet sincere, excellently acted, frequently moving 1988 drama about two families caught up in and forever changed by events in that wild final year of an extraordinary decade. Ernest Thompson had scored a big win some years earlier writing On Golden Pond; this time out he directed […]
Continue reading “1969”
Halina Reijn challenges simplistic morality and puritanical standards about human interaction through this delightfully risqué erotic drama.
Continue reading “Babygirl”
Brady Corbet delivers a monumental epic unlike anything you’ll see this year
Continue reading “The Brutalist”
Nobel Prize winner Gabriel García Márquez’s 1967 magnum opus, “One Hundred Years of Solitude,” has long been considered one of the greatest works of modern literature. However, during Márquez’s life, he refused to sell the rights to the novel because he felt a film adaptation would not come close to scratching the surface of this […]
Continue reading “One Hundred Years of Solitude”
The Heretic, directed by Scott Beck and Bryan Woods, dives deeply into religious philosophy and psychological terror, starring Hugh Grant in an unsettling departure from his typical rom-com roles. Set primarily in a claustrophobic, dimly lit house, The Heretic weaves tension through intellectual debate and moments of […]
Continue reading “”
It’s been two years since her husband passed away and Thelma Post (June Squibb) is adjusting to her new reality. She’s 93 years old and fiercely independent. While Thelma spends most of her days home alone ,she keeps in frequent contact with her grandson Daniel (Fred Hechinger) and her daughter Gail (Parker Posey). One day […]
Continue reading “”
Directed by Ninja Thyberg, Pleasure casts a critical eye on the porn industry, which has a cycle of abuse that particularly affects women. Rooted in realism it watches very much like a fictionalized version of a documentary.
Continue reading “Sundance: Pleasure”
When Americans leave home in search of meaning somewhere on the European continent, it’s usually a recipe for disaster (at least in the world of horror cinema). Young, brash, naive Americans have to face ancient beasts (The Ritual), human traffickers (Hostel), and even covens of witches (Suspiria). Watching enough horror films might make you think […]
Continue reading “Spring (2014), Romance Meets Body Horror in Italy”
He was the greatest car maker of all time and a visionary like no other. Except, there have been others and we’ve seen their movies too. Ferrari did it most recently, Ford v. Ferrari did it better. It’s hard to make the same story feel fresh and Lamborghini: The Man Behind the Legend falls into […]
Continue reading “”
When you think of the 1970s, you probably think of free love, cults, psychedelic drugs, and maybe Jimmy Carter. Giulio Paradisi’s film, The Visitor (1979) has most of these things, but more than anything else, it embodies that whacky, hallucinatory vibe that only 70s films can capture. It seems to me that people back then […]
Continue reading “The Visitor (1979), A Hidden Gem of Insane 70s Sci-Fi”
