As revisiting Yasujirō Ozu’s “Tokyo Story”, whose 4K restoration version is being shown in South Korean theaters now, I was reminded again how it is sublimely gentle and bittersweet in the intimate depiction of the human sadness and melancholy observed from its family characters. While many of them just softly and quietly interact with each […]
Continue reading “Tokyo Story (1953)”
The October 5 of 13 So, this one was a horror comedy. I found it on Shudder, as most of the list for this The October 13 is this year. I found it to be really silly. After dealing with a bad break-up, Will (Jon Michael Simpson) rented a house from a family. What Will […]
Continue reading “Sorry About the Demon (2022)”
This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
Continue reading “Let’s Go Karaoke (2024)”
“The Notebook”, which happened to be re-released in South Korean theaters in this week probably because of its 20th anniversary, is inherently sappy but undeniably effective as before. Yes, this is basically your average romance story, but it is still a well-made product which can actually engage us via its solid storytelling and several fine […]
Continue reading “The Notebook (2004)”
Stunningly shot in black-and-white, Tseden shows immaculate control over his long take, slow cinema-style as a Tibetan sheep herder becomes stuck in a Kafka-esque scenario making his identity card, but an encounter with a hairdresser suggests the possibility of a new life.
Continue reading “Tharlo (2015)”
Chinese film “Suzhou River”, whose 4k restoration version was somehow released in South Korean theaters a few days ago, is a gritty and bitter urban tale of romantic obsession. Like many of other contemporary Chinese arthouse films, the movie requires some patience due to its slow narrative pacing, but this rather modest work is impressive […]
Continue reading “Suzhou River (2000)”
And with that, I’ve completed my journey back through the library of David Fincher. This includes rewatches of his films from 2014 forward that already had reviews, as well as revisiting some of my old favorites. He is a massively talented filmmaker, and nobody can craft a detective story quite like he can. Whether that […]
Continue reading “Shooting Down the Library of David Fincher”
‘Only those who have been at sea can grasp the enormousness of the world,’ we’re told during Lee Tamahori’s plush historical epic of deadly muskets and Christianity on the rocks; even a 21st century land-lubber can understand the wrongs of imperialism. We’re out and about in 1830, in and around the Tasmanian Sea, where there’s […]
Continue reading “The Convert”
Yepyeni bir öneriyle sizlerleyim. Evet sizin de bildiğiniz gibi dünyaca ünlü yönetmen Asghar Farhadi filminden bahsediyoruz. Neredeyse iki yıl arayla çektiği filmlerle ve başarısıyla bilinen Farhadi aynı zamanda bu filmin senaristliğini de yapmıştır. Farhadi filmlerine bakacak olursak genelde aynı oyuncularla film yapmayı tercih eder. Bu da oyuncuyu ne kadar iyi tanıdığını ve yaptığı bu seçimlerle […]
Continue reading “SATICI (THE SALESMAN)”
Most of the horror community loves a good serial killer story. As morbid as it is, there are hundreds of thousands of hours of true crime podcasts, TV series, and films that either recount the true events of innocent people being dispatched by a depraved mind or take inspiration from these murders to create fictional […]
Continue reading “Longlegs”
By John Corrado Saoirse Ronan takes on the role of a young alcoholic in The Outrun. It’s a role that allows the actress to deliver an incredible performance showcasing her full depth and range, as the drama depicts the addiction and recovery process as an ongoing journey. It’s based on author Amy Liptrot’s memoir of […]
The trailer for the remake of Nosferatu confirms a January 2025 release, directed by Robert Eggers, and explores the obsession between a vampire and a young man.
Nosferatu: Comparison with Dracula and its Origins
Rodrigo Moreno’s The Delinquents is not a heist film, but it does begin with an elaborate bank robbery. It is not exactly a thriller, either, though it borrows from plenty of the tropes you’d find in an exciting thriller film with a heist as its centerpiece. Elaborate planning, blackmail, prison politics, uneasy partnerships, paranoia of…
One feels that thinking on a film by the Coen brothers, especially a comedy, is a fruitless exercise. Those guys design their work in such a way that it’s not merely immune to navel-gazing, it actually mocks the navel-gazers. And bless their hearts for it. As David Bazan has sung: You’re so creative With your…
What’s an out of work clown to do? Louison (played by Dominique Pinon) didn’t lose his job due to a lack of charm, he has that in abundance. Unfortunately his life took an unexpected turn with the death of his performing partner. The truth to be told, his partner didn’t simply die, he was…
Right from the first scene in Bergman Island, it is apparent that this is a movie made with a very particular audience in mind. You can tell that it will never crossover into pop culture or even into the conversations of casual movie fans, like a lot of indies playing in the festival circuit, do.…
This is the first post in The Cinematic Mr. Ripley, a series for the MovieThoughts category of my blog that considers moral themes in Patricia Highsmith’s Tom Ripley novels and the film adaptations of those books. This post looks at Purple Noon, the 1960 French adaptation of The Talented Mr. Ripley, starring Alain Delon. It…
EXPECTATIONS: Simple yet romantic survival story. REVIEW: WARNING: This review may contain heavy traces of cheese. Before I start off this review, let me just make this one thing clear. I do like romantic films. This year alone, we have great films like Their Finest, The Big Sick, Our God’s Country and Call Me By…
Gliding almost without speech down the dawn streets of a wet Paris winter, these men in trench coats and fedoras perform a ballet of crime, hoping to win and fearing to die. Some are cops and some are robbers. To smoke for them is as natural as breathing. They use guns, lies, clout, greed and nerve with the skill of a magician who no longer even thinks about the cards. They share a code of honor which is not about what side of the law they are on, but about how a man must behave to win the respect of those few others who understand the code.
