For my fifth film of the London Film Festival, I decided to go down the American independent movie route. Looking at the schedule, the general plot of Train Dreams stood out to me as something that could be interesting, but what clinched it as a film that I would watch at the festival is the […]
Poor Things is a weird film with great acting where eventually I understood what the story is about!!! Real Rating: 3.5 Surgically Mutated Animals What I Like: -What really stands out in this film is the acting by Emma Stone, to see a person developing from a child to a free living person is astonishing […]
Greetings again from the darkness. The concept is interesting and relatable. A woman undertakes the solving of a mystery, and in the process, learns a great deal about herself. Writer-director Rebecca Zlotowski w-d (OTHER PEOPLE’S CHILDREN, 2022) and co-writers Anne Berest and Gaelle Mace have delivered a film that works on a couple of levels: […]
A gem where connections are found in unlikely places. A masterclass of comedy about finding meaning after loss. The Baltimorons is a Christmas miracle from the mind of Jay Duplass. Co-written by Michael Strassner who is also the lead In the film. The Baltimorons relies upon the formulaic approach involving someone trying to grieve and cope with disconnect on Christmas Eve. I have long admired Duplass. In this film, he showcases the ability […]
Year: 2026 Runtime: 114 minutes Director/Writer: Beth de Araújo Actors: Mason Reeves, Channing Tatum, Gemma Chan, Philip Ettinger, Syra McCarthy, Eleanore Pienta, Dana Millican By Rosa Parra “Josephine” centers on an 8-year-old girl who witnesses a sexual assault and navigates her response, while her parents grapple with the reality that their daughter has questions about […]
Over at Exclaim!, I reviewed Die My Love. The drama explores the pressures of motherhood and the ways it can cause a people to lose sight of themselves. You can read my full thoughts on the film via the link below: Die My Love Review
There have been extraordinary writers over centuries whose work has been transcendent, and more importantly, lasting. The words of William Shakespeare influenced writers and playwrights to emulate his prose and modernize his writings. His comedies were clever, but the complexities of his characters in his tragedies offered depth and emotional resonance, even […]
Marty Supreme is the latest entry in what feels like Josh Safdie’s unofficial trilogy of protagonists who are absolute nightmares of human beings—and yet, somehow, you can’t stop rooting for them. Following Good Time and Uncut Gems, Safdie once again delivers a chaotic, anxiety-inducing, anything-goes movie centered on a narcissistic freight train of a man […]
Chloé Zhao’s Hamnet is not an easy watch — and it isn’t meant to be. This is a hushed, grief-soaked 16th-century love story that sits with sorrow rather than dramatizing it, inviting the audience into a space where silence carries as much weight as dialogue. Nearly two months after its release, I still found myself […]
“Sentimental Value” explores a father’s attempt to reconnect with his estranged daughter through filmmaking, delving into themes of trauma and familial bonds. With poignant performances from Elle Fanning, Renate Reinsve, and Stellan Skarsgard, the film effectively combines emotional resonance with a delicate script, highlighting the complexities of love and redemption.
Today we had the nominations released for the 2026 BAFTA Film awards which is taking place on Sunday 22nd February at London’s Royal Festival Hall. Best film Outstanding British film Leading actress Leading actor Supporting actress Supporting actor Director Outstanding debut by a British writer, director or producer Film not in the English language Documentary …
The only place Wagner Moura is safe is in this great review. Don’t let the title “The Secret Agent” fool you. This isn’t a spy movie. It’s a Brazilian drama about a man who is in danger and hides out in his hometown, only to find out he might not be safe there, either. We’ll […]
While Joachim Trier’s tragicomedy dazzles with technical mastery and standout performances from its close-knit cast, it ultimately falls short of capturing the emotional depth and resonance that defined his earlier works.
Joachim Trier’s Sentimental Value, which won the Grand Prix at Cannes, is an elliptical and elusive family drama, which lingers long after it’s finished. Unlike The Worst Person in the World, his previous release, it’s not divided into chapters, but it has a similar sense of fragmentation, asking the audience to make sense of silences, truncated scenes and everything that remains unspoken in the relationship between parent and child. In particular, it asks us to greet acts of public parental grandiloquence when scepticism, especially when they occur later in life. At its core are three characters – Nora Borg, a successful stage actress living in Oslo, played by Renate Reinsve; Agnes, Nora’s sister, played by Inga Ibsdotter Lilleaas; and their father, Gustav Borg, an acclaimed film director, played by Stellan Skarsgard. When Nora and Agnes’ mother, and Gustav’s ex-wife, dies, Gustav returns to their family home for the first time in many years. It’s clear that he hasn’t cultivated a relationship with his daughters, despite the fact that Agnes played a child role in one of his most acclaimed films. Gustav returns with a proposition: he has written a screenplay that he wants to film in their family home, with
Train Dreams follows logger Robert Grainer as he navigates love, loss, and life’s transience in early 20th-century America. Directed by Clint Bentley, the film’s visual poetry, fluid editing, and naturalistic performances—especially from Will Patton—capture the beauty and melancholy of ordinary life, resonating deeply with themes of change and inevitability.
From Boogie Nights to There Will Be Blood and now, One Battle After Another, films by Paul Thomas Anderson have defined decades. The anticipation for a new Paul Thomas Anderson film matches the heights of a new Christopher Nolan or Martin Scorsese project. Audiences know the cast of characters’ll entertain them, but […]
It’s been a very long time since I read Mary Shelly’s book, though I do remember enjoying it, about a mad scientist who puts a corpse together and gives it life. It’s ripe for adaptation, and it’s first big one – that black-and-white monster relic – is considered a classic. I haven’t seen all adaptations […]