Year: 2026 Runtime: 114 minutes Director/Writer: Beth de Araújo Actors: Mason Reeves, Channing Tatum, Gemma Chan, Philip Ettinger, Syra McCarthy, Eleanore Pienta, Dana Millican By Rosa Parra “Josephine” centers on an 8-year-old girl who witnesses a sexual assault and navigates her response, while her parents grapple with the reality that their daughter has questions about […]
Over at Exclaim!, I reviewed Die My Love. The drama explores the pressures of motherhood and the ways it can cause a people to lose sight of themselves. You can read my full thoughts on the film via the link below: Die My Love Review
There have been extraordinary writers over centuries whose work has been transcendent, and more importantly, lasting. The words of William Shakespeare influenced writers and playwrights to emulate his prose and modernize his writings. His comedies were clever, but the complexities of his characters in his tragedies offered depth and emotional resonance, even […]
Marty Supreme is the latest entry in what feels like Josh Safdie’s unofficial trilogy of protagonists who are absolute nightmares of human beings—and yet, somehow, you can’t stop rooting for them. Following Good Time and Uncut Gems, Safdie once again delivers a chaotic, anxiety-inducing, anything-goes movie centered on a narcissistic freight train of a man […]
Chloé Zhao’s Hamnet is not an easy watch — and it isn’t meant to be. This is a hushed, grief-soaked 16th-century love story that sits with sorrow rather than dramatizing it, inviting the audience into a space where silence carries as much weight as dialogue. Nearly two months after its release, I still found myself […]
“Sentimental Value” explores a father’s attempt to reconnect with his estranged daughter through filmmaking, delving into themes of trauma and familial bonds. With poignant performances from Elle Fanning, Renate Reinsve, and Stellan Skarsgard, the film effectively combines emotional resonance with a delicate script, highlighting the complexities of love and redemption.
Today we had the nominations released for the 2026 BAFTA Film awards which is taking place on Sunday 22nd February at London’s Royal Festival Hall. Best film Outstanding British film Leading actress Leading actor Supporting actress Supporting actor Director Outstanding debut by a British writer, director or producer Film not in the English language Documentary …
The only place Wagner Moura is safe is in this great review. Don’t let the title “The Secret Agent” fool you. This isn’t a spy movie. It’s a Brazilian drama about a man who is in danger and hides out in his hometown, only to find out he might not be safe there, either. We’ll […]
While Joachim Trier’s tragicomedy dazzles with technical mastery and standout performances from its close-knit cast, it ultimately falls short of capturing the emotional depth and resonance that defined his earlier works.
Joachim Trier’s Sentimental Value, which won the Grand Prix at Cannes, is an elliptical and elusive family drama, which lingers long after it’s finished. Unlike The Worst Person in the World, his previous release, it’s not divided into chapters, but it has a similar sense of fragmentation, asking the audience to make sense of silences, truncated scenes and everything that remains unspoken in the relationship between parent and child. In particular, it asks us to greet acts of public parental grandiloquence when scepticism, especially when they occur later in life. At its core are three characters – Nora Borg, a successful stage actress living in Oslo, played by Renate Reinsve; Agnes, Nora’s sister, played by Inga Ibsdotter Lilleaas; and their father, Gustav Borg, an acclaimed film director, played by Stellan Skarsgard. When Nora and Agnes’ mother, and Gustav’s ex-wife, dies, Gustav returns to their family home for the first time in many years. It’s clear that he hasn’t cultivated a relationship with his daughters, despite the fact that Agnes played a child role in one of his most acclaimed films. Gustav returns with a proposition: he has written a screenplay that he wants to film in their family home, with
Train Dreams follows logger Robert Grainer as he navigates love, loss, and life’s transience in early 20th-century America. Directed by Clint Bentley, the film’s visual poetry, fluid editing, and naturalistic performances—especially from Will Patton—capture the beauty and melancholy of ordinary life, resonating deeply with themes of change and inevitability.
From Boogie Nights to There Will Be Blood and now, One Battle After Another, films by Paul Thomas Anderson have defined decades. The anticipation for a new Paul Thomas Anderson film matches the heights of a new Christopher Nolan or Martin Scorsese project. Audiences know the cast of characters’ll entertain them, but […]
It’s been a very long time since I read Mary Shelly’s book, though I do remember enjoying it, about a mad scientist who puts a corpse together and gives it life. It’s ripe for adaptation, and it’s first big one – that black-and-white monster relic – is considered a classic. I haven’t seen all adaptations […]
Continuing on with the gala showings at the London Film Festival this year, the next film I decided to go for was The Mastermind. I have a passing familiarity with the work of Kelly Reichardt, I’ve seen a few of them, really liking Meek’s Cutoff and First Cow, but I’m not overtly familiar with her […]
Greetings again from the darkness. What is true human nature? Is there even such a thing? Are we preprogrammed to do the right thing, or is it our nature to hold grudges, seek revenge, and take advantage of every situation? This superb film from Iranian filmmaker Jafar Panahi explores the topic, and it’s important to […]
I often wonder whether Franz Kafka realised that his writing would have such an enormous impact on global culture – not only have his works been formative in the creation of entire literary movements, the very mention of his name evokes particular images and ideas, such as the frustrations of navigating the bureaucracy, endless hallways […]
Quirky imprint A24 released this Peter Strickland opus in the U.S, now screening (Nov 2025) on the BBC iplayer; for fans of his previous ventures post 2009’s Katalin Varga, like Berberian Sound Studio and The Duke of Burgundy, it proved an enticing prospect. While Ben Wheatley’s output has been variable (Rebecca, In The Earth, Free […]