Although bound by Dafoe’s presence, it’s a film that seems to flout conventional notions of coherence, its arresting movements governed by discontinuity, irruption, and surprise.
The Art Life: Abel Ferrara’s Tommaso
Although bound by Dafoe’s presence, it’s a film that seems to flout conventional notions of coherence, its arresting movements governed by discontinuity, irruption, and surprise.