A weird one… I wrote about RECREATION already — this Keystone park film didn’t seem much different from a half-dozen others, and it survives in a form most uneven and considerably more ragged than most. As so often at Keystone, Chaplin makes valuable discoveries in one short (THE FACE ON THE BARROOM FLOOR) only to […]
The Sunday Intertitle: Charlie as Chaplin or Chaplin as Charlie?
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